FILM REVIEW OF "ESCAPE PLAN" (2013)

Action superstars Sylvester Stallone and Arnold Schwarzenegger co-star in “1408” director Mikael Hafstrom’s “Escape Plan” (*** OUT OF ****), an audacious but improbable prison break epic that delivers brawny thrills and chills galore.  Unlike the last two “Expendables” outings, Stallone and Schwarzenegger appear here on equal footing in more than rather than a couple of scenes.  Basically, we’ve got “Rocky” and “The Terminator” tangling with Mr. Reese from the provocative, CBS-TV thriller “Person of Interest.”  If you’re expecting another wise-cracking yarn with our heroes spouting clever one-liners, you’re going to be disappointed.  Indeed, little of the dialogue in “Escape Plan” deserves to be immortalized on bumper stickers.  Refreshingly, neither do our stars make any references to their previous Hollywood blockbusters.  Everybody plays it straight-forward in this survival-of-the-fittest saga.  Meanwhile, most of the testosterone-laden action consists of men either beating or shooting the living daylights out of each other in examples of outlandish, over-the-top violence.  Stallone is cast against type as a mature, serious-minded, MacGyver-like hero with a Houdini talent for crashing out of prisons, while Schwarzenegger plays one of the most dangerous men alive behind bars.  Jim Caviezel is cast against type, too, as a villain so dastardly that you will squeal with glee when he gets his comeuppance.  Former British soccer star Vinnie Jones chews the scenery with relish as Caviezel’s second-in-command.  Jones’ evil  prison guard shows no qualms about smashing inmates to a pulp as if they were drums.  

Scenarists Miles Chapman of “Road House 2: Last Call” and Jason Keller of “Machine Gun Preacher” generate plenty of suspense about the mysterious setting of the prison.  After an exciting introductory sequence at a Colorado prison where our hero demonstrates his masterly escape artist credentials, the remainder of “Escape Plan” occurs in an imposing penitentiary designed for the worst of the worst.  Essentially, the convicts occupy cells that resemble glass cages stacked atop each other and framed with steel beams.  “Source Code” production designer Barry Chusid has surpassed himself with this visually intriguing setting.  Well-armed, incorruptible, prison guards decked out from head to foot in black uniforms with sinister Guy Fawkes masks reminiscent of the police in director George Lucas’ dystopian sci-fi chiller “THX-1138” patrol the premises.  An around-the-clock surveillance system denies the inmates any privacy.  Hafstrom and his writers will keep you guessing for about an hour into the action where this impressive pen could be situated.  When Stallone finally figures out its whereabouts, the revelation is comparable to the lair of a James Bond villain.  While “Escape Plan” recycles some of the usual prison movie shenanigans, the imaginative setting sets this movie apart. 

Ray Breslin (Sylvester Stallone of “First Blood”) has broken out of 14 prisons over the last eight years.  He has formed his one-of-kind company with Lester Clark (Vincent D'Onofrio of “Full Metal Jacket”) along with Abigail (Amy Ryan of “Green Zone”) and computer wizard Hush (Curtis '50 Cent' Jackson of “Get Rich Or Die Tryin’”).  Out of the blue, the Central Intelligence Agency makes Ray an offer that he cannot refuse.  They challenge Ray to break out of their super-max slammer, and they are prepared to pay him twice his usual million dollar fee.  Initially, Ray doesn’t like the set-up.  Abigail and Hush share his dread.  Lester thinks it will be a picnic.  Reluctantly Ray accepts their dare against his better judgment.  Predictably, things go badly from the outset.  Our hero is abducted, drugged, and the homing device embedded in his body that enables Abigail and Hush to track him is removed.  The moment Ray awakens in his exotic prison cell, he wants out of the proposition.  Unfortunately, he learns that he is going nowhere.  It seems treacherous Lester has double-crossed him, and Warden Hobbes (Jim Caviezel of “The Thin Red Line”) has orders to keep him permanently on ice.  Ironically, Ray discovers Hobbes has designed his prison security measures based on Ray’s book about the most common structural flaws in prison security!

Ray finds himself surrounded by a formidable population of inmates that want to kill him.  Initially, one of these brutes is Emil Rottmayer (Arnold Schwarzenegger of “The Last Stand”), and they don’t cotton to each other.  When Ray clobbers Emil with his first blow, Emil observes with a smirk, “You hit like a vegetarian!”  When the Muslim brotherhood decides to gang up on Ray, Emil changes his mind and comes to our hero’s rescue.  Eventually, Ray and Emil become friends.  Ray explains that he has been paid to break out.  He suffers a number of set-backs, but he recovers from Hobbes’ savage treatment with Emil’s help.  Ray reveals his formula for success.  He must study the layout of the prison, and this means he must incite a riot so Hobbes can throw him in solitary confinement.  Solitary confinement is the equivalent of Hell where inmates are caged up and subjected to a blazing battery of search lights that turn the cage into an oven.  Ray notices the screws that in the floor plates are steel rather than aluminum.  He suspects the prison may be located in a vast underground cavern.  Next, he scrutinizes the rotation of the guards and their routines while they watch the inmates.  The most important part of Ray’s plan is finding somebody on the inside who will help them since he is cut off from Abigail and Hush.  The most likely candidate is the prison doctor, Dr. Kyrie (Sam Neill of “Jurassic Park”), but he displays considerable reluctance.

Sylvester Stallone and Arnold Schwarzenegger should have teamed up long before “Escape Plan” because they radiate convincing camaraderie.  Director Mikael Hafstrom never lets the momentum lag, and he minimizes the clichés that crop up in most prison flicks.  For example, the Muslim inmates are rehabilitated as heroes after they join Ray and Emil.  Our heroes suffer considerably at the hands of the sadistic warden and his lieutenant before they triumph.  The worst thing about “Escape Plan” is that its exterior computer-generated imagery appears less than spectacular.  

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A FILM REVIEW OF "BULLET TO THE HEAD" (2013)

Watching the Sylvester Stallone shoot’em up “Bullet to the Head” (**** OUT OF ****) felt like a blast from the past.  This polished but predictable anthology of action movie clichés contains several R-rated, close-quarters, combat scenes with sufficient amounts of blood splatter and gore; some high-octane, fireball explosions; lots of snappy tough guy banter; and surprising displays of frontal female nudity.  Half the scenes reminded me of producer Joel Silver’s explosive, slam-bang, white-knuckled, testosterone-laden tales, such as “Conspiracy Theory,” “Exit Wounds, “Swordfish,” and his “Lethal Weapon” franchise.  Indeed, Silver serves as one of the producers, and “Bullet to the Head” adheres to his formula.  Meanwhile, action auteur Walter Hill drew the other half from his hardboiled melodramas.  For the record, Hill helmed the two “48 Hrs” flicks with Nick Nolte and Eddie Murphy, “Extreme Prejudice” with Nick Nolte, “Last Man Standing” with Bruce Willis, and “Red Heat” co-starring Arnold Schwarzenegger and James Belushi.  Although “The Messenger” scenarist Alessandro Camon adapted the Alexis Nolent graphic novel "Du plomb dans la tête,” “Bullet to the Head” looks like “48 Hrs” and/or “Red Heat” clone.  Mind you, “Bullet to the Head” is Hill’s first theatrical release since his gritty 2002 prison melodrama “Undisputed” with Ving Rhames and Wesley Snipes.  During his absence from the big screen, Hill helmed the premiere episode of HBO’s “Deadwood,” and then the television mini-series western “Broken Trail” (2006) costarring Robert Duvall and Thomas Haden Church.”  In many respects, this action-packed, largely straightforward, odd couple buddy picture compares favorably with earlier, exceptional Stallone sagas like “Assassins,” “The Specialist,” and “Demolition Man.”  Most definitely, it surpasses “Tango and Cash” and “Stop, Or My Mom Will Shoot.”

Cast as a seasoned hit-man in the Crescent City, Sylvester Stallone tangles with a mysterious cabal of Big Easy investors who have the New Orleans Police Department on their payroll.  Director Walter Hill has juggled the occupations of the protagonists from his earlier buddy picture epics.  The cop was always the lead in the combo in the “48 Hrs” movies and “Red Heat.”  This time around, world-weary, career criminal James “Bobo” Bonomo (Sylvester Stallone of “Rocky”) is the lead, while saintly, Washington, D.C. Detective Taylor Kwon (Sung Kang of “Fast & Furious”) behaves rather naively and relies too much on his cell phone.  Ironically, the two men want to exact vengeance for the deaths of their former partners.  They agree to form an uneasy alliance, but Kwon’s conscience prompts him to constrain Bonomo. These two don’t immediately run into each other. When the plot unfolds, Bonomo and his partner Louis Blanchard (Jon Seda of “Bad Boys 2”) masquerade as cops to snuff a cocaine-snorting thug, Hank Greely (Holt McCallany of “Fight Club”), in a motel room.  Bonomo spots a tattooed prostitute cowering in the shower, but he lets her live.  This amoral murderer draws the line at shooting women.  When he is behind the wheel on the road, he swerves to avoid stray cats in front of him.  “It’s bad luck,” he assures Louis.  These two show up at a crowded bar where they are supposed to pick up the balance of their loot for the shooting.  Before either realizes they have been double-crossed, another assassin, Keegan (Jason Momoa of “Conan”), stabs poor Louis repeatedly to death in front of everybody.  He wields a small blade to hack both of Louis’ lungs so nobody in the noisy bar knows a murder has occurred.  Keegan isn’t quite as lucky with Bonomo.  Now, Bonomo wants payback.  Our hero crosses paths with a hard-nosed, Washington, D.C. police detective who is visiting New Orleans.  As it turns out, Hank Greely was his former partner in Washington.  Kwon wants the people who ordered Hank’s demise.  Sure, neither Bonomo nor Kwon have much use for each other initially, but they kind of grow on one other as they survive back-to-back fracases. 

Hill stages some gripping shoot-out scenes that genre fans will savor, and you get to see Silver's trademark Ka-Boom explosions!  Hill never lets the narrative bog down in aimless chatter or an over elaborate plot.  Stallone’s character provides deadpan narration throughout the pyrotechnics so you never take anything seriously in “Bullet to the Head.”  “Bullet to the Head” is not unlike a Tarantino thriller.  Camon and Hill wrap up everything, but leave room for a sequel since the hero’s daughter and the D.C. cop are dating.  At 66 years of age, Sylvester Stallone appears as fit as a fiddle.  This is the kind of movie where guys shed shirts and clash muscles.  He channels a little bit of “Rocky” in his tongue-in-cheek performance.  The ax fight between beefy, muscle-bound Jason Momoa and Stallone has been carefully edited to present both to maximum advantage.  You know Stallone is going to triumph, but Momoa doesn’t make it look easy.  Momoa makes a lusty villain.  No less villainous is Adewale Akinnuoye-Agbaje as a crippled, African investor has no qualms about murder.  Christian Slater appears briefly as a smarmy swindler with a flash drive around his neck that boasts the goods of everybody.  The interrogation scene is pretty amusing.  Clocking in at a lean, mean, 97 minutes, “Bullet to the Head” doesn’t wear out its welcome.  You don’t even have to wait around to see what’s after the end credits so you can clear out early.  Were it not for the pedigree talent involved, “Bullet to the Head” would qualify at best as a three-star rather than a four-star movie.  If you still like Stallone, you'll love "Bullet to the Head" because it is worth shelling out the bucks to watch this Spartan saga.

FILM REVIEW OF "THE EXPENDABLES 2" (2012)

Watching the old-fashioned, larger-than-life, male-bonding epic “The Expendables 2” (**** OUT OF ****) is like enjoying a nostalgic jaunt down memory lane. A gallery of brawny 1980s era, action-hero icons assembles for this testosterone-laden tale that depicts combat on land, sea, and in the air with double-digit body counts. At one point, Sylvester Stallone, Arnold Schwarzenegger, and Bruce Willis stand shoulder-to-shoulder, armed with automatic weapons, firing fusillades of bullets into wave after wave of pugnacious bad guys.  Joining Stallone, Schwarzenegger, and Willis this time out are two more 1980s era action heroes: Chuck Norris and Jean-Claude Van Damme. Along with these legendary leading men, newcomers Liam Hemsworth, Scott Adkins, and Nan Yu dodge bullets, too. Jason Statham, Jet Li, Randy Couture, Terry Crews, and Dolph Lundgren reprise their roles as Barney Ross’s tough-as-nails mercenaries. Just as sentimental as the original “Expendables,” “Expendables 2” conjures up ten times more carnage and demolition in its remote Bosnian settings.  Unlike the original, this ambitious sequel gives Schwarzenegger and Willis far more screen time to flesh out their identities.  While the dialogue amounts to amusing one-liners served up over twenty years ago in the advertising campaigns of “The Terminator” and “Die Hard,” the formulaic screenplay penned by Stallone and “16 Blocks” scribe Richard Wenk qualifies as a standard-issue revenge thriller. Essentially, you should prepare yourself for lots of eardrum numbing battle sequences interspersed with soul-searching dialogue scenes among the principals when they aren’t exposing themselves in the line of fire.  Nothing has really changed aside from a fresh, new setting in Albania that appears scenic in its own grungy way. 

“The Expendables 2” erupts with a series of slam-bang action scenes that resemble something “The A-Team” use to pull off every week during its five-year run on NBC.  Barney Ross and his pals show up in a squalid-looking town in Nepal on a ‘do or die’ mission to rescue a Chinese billionaire from some nasty extortionists. They careen into the city in military vehicles designed to smash through barriers of every description. These aggressive-looking trucks have clever names stenciled on them, such as ‘knock-knock’ and ‘bad attitude.’ Mind you, it doesn’t matter that our heroes are hopelessly outnumbered because they devastate the opposition mercilessly with artillery blasts and bursts from .50 caliber machine guns. At one point, Barney (Sylvester Stallone of 1981’s “Nighthawks”) cranks up a motorcycle and wields it like a weapon to bring down a helicopter.  Our heroes evacuate in motor-driven boats but find themselves pursued by trigger-happy soldiers in ‘Everglades’ air-boats armed with mortars. Momentarily detained in the jungle, Barney and Lee Christmas (Jason Statham of 1998’s ‘Lock, Stock and Two Smoking Barrels”) recover their seaplane and sweep down out of the sky like the cavalry as the villains are drawing a bead on their comrades.  There is even a revelation or two in all this bullet-riddled mayhem that takes Barney by surprise before they make their getaway.

After a round of beers back home, Barney runs into the dubiously named Mr. Church (Bruce Willis of 1988’s “Die Hard”) who has been waiting for him at the latter’s aircraft hangar.  Church dispatches Barney Ross and his cronies on ‘a walk in the park’ mission to crack a safe in a crashed jetliner. Church surprises Barney when he sends one of his own agents. She can open the mysterious safe without atomizing everybody.  Initially, Barney objects to bringing a woman along on the mission. As it turns out, Maggie Chan (NanYu of “Diamond Dogs”) allays Barney’s anxieties that she won’t be able to fend for herself. Maggie looks extremely lethal in combat against multiple male opponents. Our heroes have no problem locating the wreckage of the jet and a few tense moments ensue after they find the safe. Unfortunately, everything goes awry afterward, when an army of sadistic villains intervenes, demands the contents from the safe, and threatens to execute one of Barney’s unit if they don’t lay down their arms and hand over what they found in the plane crash. Motivated as much by the loss of one from their own ranks, Barney and company set out in furious pursuit of the villains.  An Eastern European crime cartel led by an appropriately named thug Jean Vilain (Jean Claude Van Damme of 1988’s “No Retreat, No Surrender “) has no qualms about killing. The information liberated from the safe contains the whereabouts of five-tons of plutonium abandoned by the Russians in a derelict mine during the Cold War. Vilain and his menacing minions have recruited slave labor from the location population at gunpoint to help them excavate the plutonium.

British director Simon West, who helmed “Con-Air,” “Laura Croft, Tomb Raider,” and “The Mechanic,” rarely allows the pace to slow down in this noisy extravaganza, especially when the heroes and villains are blasting away at each other with murderous glee. West and “xXx: State of the Union” editor Todd E. Miller never unnecessarily linger on a single image.  Some of the editing seems almost subliminal.  Clocking in at a nimble 102 minutes, “The Expendables 2” offers double the action with double the stars. “Lone Wolf McQuade” star Chuck Norris finds himself in the fray and shows that he still possesses the stamina. It is difficult to believe that all these guys, who once battled it out among themselves for box office supremacy, have come together to make such an outlandish but entertaining opus. For the record, Dolph Lundgren’s character, Gunnar, has cleaned up his act from the original and is back with Barney and company. Gunnar still picks on agile, pint-sized Jet Li while Barney and Lee bicker with each other about anything and everything. If you saw “The Expendables,” you know that Lee Christmas had fallen in love with a gal who let her sadistic boyfriend beat up on her.  Lee and Lacy (Charisma Carpentar of TV’s “Buffy the Vampire Slayer”) are now a couple. Conspicuously absent from the cast is Mickey Rourke who played the philosophical Tool in the original.  If you loved the original “Expendables,” you’ll love “The Expendables 2.” Rumors are flying that the producers are already casting a third installment in the franchise.

FILM REVIEW OF "RAMBO" (2007)

Writer & director Sylvester Stallone raises the bar for violent, bloodthirsty combat sequences in his third sequel to "First Blood" (1982), the original epic about ex-Green Beret warrior John Rambo's exploits. Moreover, "Rambo" (***1/2 out of ****) makes the rugged battle scenes in both director Ridley Scott's adrenaline-fueled "Black Hawk Down" and Steven Spielberg's bullet-riddled "Saving Private Ryan" look like pugnacious paint-ball-blasting tournaments. No, "Rambo" doesn't boast the production values or elaborate villains that he confronted in "Rambo: First Blood Part 2" of Rambo III." Indeed, there are fewer explosions, but the considerably ramped up violence and the vicious Burmese Army troops compensate for those shortcomings.

The scenes of carnage in "Rambo" are so intense and gory that you'll shudder with revulsion every time a bullet pulverizes somebody, including the hideously repugnant villains. If the first two Rambo movies, "First Blood" and "Rambo: First Blood, Part 2," served as referendums on the contentious Vietnam War, with "Rambo 3" skewering the Soviet invasion of Afghanistan, then it should come as no surprise that "Rambo" four exposes the genocide raging for sixty years in Burma.

In fact, Stallone selected Burma, officially called the Union of Myanmar, as the setting because the conflict between the Burmese Army and the Karen ethnic minority qualifies as the world's longest civil war. Said Stallone in a recent "Movies On-Line" interview, "From the time I heard about it and began researching it, I though, 'If I could just combine the two—raising awareness of the Karen-Burmese civil war and giving the audience a good adventure story—that would be perfect.'" Art Monterastelli and Stallone co-scripted "Rambo" and it clocks in at about 80 lean, mean minutes with a 12 minute end credit roll. Essentially, it's like an extended "A-Team" episode with gallons of blood and gore and terrific computer generated special effects that heighten the realism of the battle sequences. Virtually, all of the weapons are genuine replicas if not the real thing loaded with blanks.

Mind you, twenty years has elapsed since hard-bodied, tight-lipped Rambo swapped lead with anybody. Nothing has changed. Although it's as predictable, straightforward, but solemn as previous Rambo actioneers, "Rambo" is also as old-fashioned as any of the 1942-1945 World War II Hollywood propaganda movies that justified U.S. intervention in a global war. Stallone appears a mite long in the tooth (he's 62-years old), but he looks like Samson in fatigues, with blood veins entwining his bulging forearms like giant pythons. Unlike his last movie "Rocky
Balboa" where he proudly displayed his muscular physique, Stallone doesn't shred his fatigues. Interestingly, he may be one of the few action heroes who refuses to rip his shirt to ribbons like the classic pulp fiction hero Doc Savage, the Man of Bronze, every time that he tangled with an adversary.

When we meet Rambo, he is living in northern Thailand, runs a longboat the River Salween, captures cobras for a side show, and does a little blacksmithing at a forge. Several human rights missionaries ask him to ferry them into nearby Burma so they can deliver medical supplies and services to destitute Karen villagers. Initially, the world-weary Rambo refuses, but one of the missionaries, Sarah (plain-Jane looking Julie Benz of Showtime's "Dexter"), convinces him to take them. The ride upriver evokes memories of director Francis Ford Coppola's classic "Apocalypse Now" with Marlon Brando. No sooner have the Christian missionaries reached a remote village and improved the quality of life than the evil soldiers arrive. They either kill or
enslave everybody. These scenes are extremely graphic. Afterward, Reverend Arthur March (Ken Howard of "Michael Clayton") who represents the missionaries approaches Rambo about taking a motley crew of mercenaries in to rescue Sarah and the survivors. The mercenaries have second thoughts when they learn that the Army outnumbers them ten-to-one. Rambo shames them into doing their job. Naturally, Rambo cannot pass up a good fight so he breaks out his bow & arrow. Later, he wields a .50 caliber machine gun with devastating results, mowing down well over seventy-five soldiers. Rambo's best line is: "Live for nothing, or die for something!" This line pretty much sums up the storyline. Richard Crenna briefly appears in a montage sequence as Colonel Trautman when Rambo ponders his fate. Talented "Exit Wounds" lenser Glen MacPherson photographed the action against authentic Thai backgrounds during torrential downpours of rain.

Happily, "Rambo" brings our hero full circle in what Stallone has said is the final "Rambo" film. If you missed this explosive movie during its theatrical run, the "Rambo" DVD is terrific with an informative audio commentary track by Stallone that takes you behind the scenes into the production of this epic war movie.