The remake of the vintage Arnold Schwarzenegger sci-fi saga “Total
Recall” with Colin Farrell replacing Arnie as the hero isn’t bad. Unfortunately,
this atmospheric, above-average, but convoluted British produced extravaganza
won’t erase the memory of the original film with its gratuitous violence and abrasive
cynicism. “Underworld” director Len Wiseman has made a polished looking picture,
but he just doesn’t deliver the goods with the same panache that director Paul Verhoeven
served them up back in 1990. Incidentally, I didn’t enjoy “Total Recall” as
much as some of the Austrian bodybuilder’s other sci-fi forays, namely “The
Terminator” franchise and “Predator.”
Nevertheless, this larger-than-life actioneer boasted riveting action, stunning
surprises, slam-bang action with buckets of synthetic blood and layers
of latex appliances. The cast spouted the F-word approximately 28 times and uttered
it without qualm. Comparatively, Wiseman’s “Total Recall” (**1/2 out of ****) remake
shares little in common with its 1990 predecessor in all those respects. The
action here is practically plasma-free. The new film’s PG-13 rating tones down
most of what made the R-rated original so objectionable. The escalator scene in
the first movie where Arnie appropriated the bullet-riddled corpse of an innocent
bystander and wielded the cadavar as a shield to absorb a barrage of bullets is
conspicuous absent from the new “Total Recall.” Furthermore, Wiseman and
scenarists Kurt Wimmer of “Law Abiding Citizen” and Mark Bomback of “Unstoppable”
have confined the action entirely to a post apocalyptic planet Earth.
Interestingly, Wiseman’s “Total Recall” retains most of the elements of cult
author Philip K. Dick’s imaginative short story "We Can Remember It for You
Wholesale" with minor exceptions. The short story concerned a white-collar, accountant
hero, while the two films featured a blue-collar protagonist. Although the “Total
Recall” remake shuns the Martian setting, it adheres to the template of the
original without any extraterrestialaliens. Sadly, the chief villain in the remake seems
congenial compared to the original scoundrel who spewed venom. Additionally,
while the first movie eliminated Sharon Stone as a supporting villain early
in the action, the remake with Kate Beckinsale in Stone’s role not only rewards
her with considerably more screen time than Stone but also expands her role. She becomes the villain’s right hand henchman.
The new “Total Recall” unfolds in the late 21st
century after chemical warfare has devastated planet Earth. Humans have retreated to the only two remaining
places where they can breathe fresh air. What had been the United Kingdom has become the United Federation of
Britain. Meanwhile, Australia has become
the Colony. If the cities in the United Federation of Britain bear a passing
resemblance to both “Metropolis” and “The Fifth Element,” then the Colony
resembles the overcrowded urban landscape of Ridley Scott’s “Blade Runner.”
Humanity is quickly running out of places to live. Chancellor Cohaagen (Bryan Cranston of “John
Carter”) seeks to sanction urban renewal. He wants to lead his army of
synthetic robots into the Colony and clean it out. Basically, the Colony is a dreary, rain-drenched,
ghetto of a community. Cohaagen is searching for an excuse to storm it. A
resistance movement has emerged around a notorious but enigmatic rebel, Matthias
(Bill Nighy of “Valkyrie”), who strikes fear in Cohaagen’s heart. Cohaagen orchestrates terrorists’ attacks on
the UFB so he can invade the Colony. He plans
to take advantage of the commuter train which runs between the UFB and the
Colony. Essentially, this commuter train looks like a gigantic puck that plunges
between the two destinations in fifteen minutes or less. The tunnel bores past
the Earth’s core where the train loses gravity briefly before entering the UFB.
Working class stiff Douglas Quaid (Colin Farrell of “Minority Report”) lives in
the Colony and has been taking the train to work for years. He assembles
synthetic storm troopers for Cohaagen’s army in a factory. When he isn’t building
better robots, he lives with his gorgeous wife Lori, (dark-haired Kate
Beckinsale of “Contraband”), who works as an emergency medical technician. Lately, Quaid has been having bizarre dreams. He has fantasies that he is fighting
alongside a mysterious woman, Melina (Jessica Biel of “Stealth”), in the
resistance movement who loves him. One day Quaid decides to relieve the tedium
of his meaningless existence. He enters a place known as Rekall that will
implant memories which will enrich his life. Rekall is tantamount to a tanning
salon except that they inject drugs into their customers so they can experience
a number of role-playing scenarios. Quaid wants to fulfill his desire to be a
secret agent battling hordes of bad guys. Little does our clueless protagonist
suspect he may have been a secret agent.
Make no mistake; the producers have spared no expense to create
elaborate settings for this somber, straightforward dystopian thriller. Although Colin Farrell qualifies as a better
actor than Arnold Schwarzenegger, Farrell lacks the iconic charisma of the
former California governor. Schwarzenegger amounted to as much a special effect
in the first one as all of the elaborate latex appliances that adorned a three-breasted
prostitute as well as the mutants. Mind you, Wiseman makes an allusion to the
three breasted woman, but he makes no reference to the resistance leader in the
original that had a midget attached to his stomach like a bizarre Siamese twin.
Instead, the remake pits Farrell against twice as many adversaries as the
original. The villain’s army of robotic warriors resembles those in the “Star
Wars” prequel trilogy with similar outfits. Although it bristles with careening
car chases and close-quarters combat galore in cliffhanger encounters, “Total
Recall” rarely provides anything remotely memorable. Wiseman has lost his knack
for choreographing nimble action scenes that keep you perched on the edge of your seat.
Beckinsale makes a terrific villain, while Farrell and company go through the
motions. Somewhere in the “Total Recall” remake lurks a first class movie, but
it never reached the screen.
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