Director Frank Lloyd’s “Mutiny on the Bounty” deservedly received
the 1936 Best Picture Oscar as well as Oscar nominations for Best Actor, Best
Screenplay, Best Editing, Best Directing, and Best Original Musical Score. This entertaining 140-minute version of the
vintage Charles Nordoff and James Norman Hall novel, published in 1932,
surpasses the costly remake that M-G-M launched with Marlon Brando in 1962 that
clocked in at a grueling 178 minutes. Indeed,
everything about the 1935 “Mutiny on the Bounty” is superlative. Clark Gable
reluctantly shaved off his characteristic mustache to play Fletcher Christian
because British officers were prohibited from wearing upper lip facial hair. Charles Laughton played the villainous
Lieutenant William Bligh with immense relish, and Franchot Tone was cast as Midshipman
Roger Byram on his first sea voyage.
Interestingly, these three thespians each received an Academy Award
Nomination for Best Actor. As good as
Gable and Tone are as the protagonists, it is frog-faced Laughton with his
imperious bearing that sticks in the memory long after the film has faded. You’ll want to see Laughton swing from the
yard arm for his performance because he is such a despicable villain. Happily, Laughton radiates glimpses of
humanity thanks to the skillful writing of scribes such as Talbot Jennings,
Jules Furthman, and Carey Wilson.
His Majesty’s Ship Bounty disembarks from Portsmouth Harbor in
1787 and charts a course to Tahiti to gather breadfruit plants. The plan was to grow breadfruit as an
inexpensive food item to feed slaves in Jamaica. As the action unfolds, Fletcher Christian and
a press gang prowl the local taverns for seamen to shanghai for service.
Meanwhile, young Roger Byram is itching to embark on his maiden voyage to
Tahiti. Byram has been assigned to
compile a Tahitian dictionary.
Lieutenant Bligh has requested Fletcher Christian because he prefers to
surround himself with gentlemen. Bligh,
it seems, is an admitted self-made man.
This marks their third voyage together, and Christian doesn’t like the
captain. The friction between these two
eventually generates sparks that sets them at loggerheads. In real-life, Gable abhorred Laughton because
the latter was a notorious homosexual.
Some sources claim that M-G-M studio heads cast them opposite each other
because they felt the homophobic Gable would give a stronger performance. Laughton milks the insolent Bligh for
everything he can. Anyway, the question
of stolen cheese and later purloined cocoanuts exacerbates their enmity for
each other to the point that Christian is prepared to usurp Bligh as captain. No sooner have they left Portsmouth than the
energetic Byram gets into scuffle with a fellow midshipman and Bligh sends
Byram aloft to weather a gale.
When they drop anchor in Tahiti, Bligh has had enough of
Christian and openly goads the man. Later,
during the return voyage, Bligh cuts the water ration so that none of the
breadfruit plants will perish. Bligh
already has too many plants on board and his decision to deprive his sailors of
water backfires. The inhumane treatment
of prisoners aboard the Bounty is the last straw for Fletcher Christian and he
leads a mutiny. Roger Byram and another
midshipman try to thwart Christian, but the mutineers overpower them. Christian sets Bligh, several officers, and
crew men in a launch. Incredibly, Bligh
manages to sail the open boat across 3-thousand miles or more of sea to a
port. Bligh returns to English and takes
the Pandora back to search for Christian.
By now, Byram and Christian have resumed their friendship. Meantime, Christian has married a native girl
and they have a son. When Bligh returns,
the naïve Byram rushes out to meet the Pandora, and the vengeful Bligh puts him
in chains. Christian and the mutineers
flee from Tahiti on the Bounty and eventually crash the ship on the reef of Pitcairn
Island where they make a new life for themselves. Bligh returns to English after he runs HMS
Pandora on a reef. Most of the mutineers
are condemned to swing, including Ellison (Eddie Quillan of “The Grapes of
Wrath”), who was kidnapped to serve as a sailor on the Bounty. Through the intervention of a friend and a
high-ranking Admiral, Byram wins a pardon and is allowed to continue as an
officer in the British Navy.
Of course, Clark Gable was no Englishman, but he gives
better performance than Marlon Brando’s hilariously awful performance as
Fletcher Christian. Laughton steals the
show as the repugnant Bligh. The only
thing that the 1962 version has over this epic is its Technicolor
cinematography and a replica of the actual Bounty. Director Frank Lloyd depicts the challenging
voyage that Bligh makes in an open boat.
This episode wasn’t emphasized in the Brando version. Furthermore, Christian urges his men, against
their wishes, to burn the Bounty once they have run it aground. In the Brando version, Christian refuses to
burn the vessel because he plans to return to England and confront the
Admiralty with the facts of the matter.
Instead, Christian’s mutineers set the ship ablaze and Christian tries
to save the ship. In his efforts to
preserve the Bounty, Christian is trapped below deck and burned so badly that
he dies on the beach after his friends try to save him. Bottom line: watch this version of “Mutiny on the Bounty”
rather than the 1962 version. Purists will want to watch the Mel Gibson &
Anthony Hopkins rehash to see what actually happened.
No comments:
Post a Comment