Although it surpasses its predecessor, “The Amazing Spider-Man
2” (*** OUT OF ****) suffers from too many villains. Meantime, audiences should prepare themselves
for more narrative tweaking on the part of “(500) Days of Summer” director Marc
Webb, “Star Trek” writers Alex Kurtzman & Roberto Orci, and “Fringe” scribe
Jeff Pinkner to the classic Marvel Comics characters created by Stan Lee and
Steve Ditko back in August 1962. Initially,
“Evil Dead” director Sam Raimi’s “Spider-Man” trilogy coupled Tobey Maguire's
Peter Parker with Kirsten Dunst’s Mary Jane Watson, while the Andrew Garfield
reboot pairs Peter with Emma Stone’s Gwen Stacy. Technically, in the comics, Gwen was Peter
Parker’s first love. Clearly, Webb’s
reboot shows more fidelity to the comics than the original Raimi trilogy. Peter and Gwen were dating before our hero
met Mary Jane. Comparably, Superman has
two comic book love interests: Lois Lane and Lana Lang. Mind you, Lois has dominated the movies. This time around the tweaking involves a
villain that Tobey Maguire tangled with in his first web-crawling chronicle. Of course, people don’t watch “Spider-man”
movies, or any superhero saga, to agonize over the fate of the invincible entity. We show up for the latest outlandish villain,
their origin story, the inevitable showdown with Spider-Man, and pyrotechnical constellation
of special effects.
Imitating the Warner Brothers’ Batman franchise, Webb and company
pit Spidey against three villains to keep him busy throughout this occasionally
tedious two hour and twenty minute plus pandemonium. Judged by this criterion, “Amazing Spider-Man
2” trumps its one-adversary predecessor with a triple threat treat. Happily, Jamie Fox’s glowering Electro, Dane
DeHaan’s bizarre Green Goblin, and Paul Giamatti’s obstreperous Rhino are far livelier
than Rhys Ifans’ dreary Lizard. Electro
puts up the fiercest fight. Green Goblin
doesn’t match Electro in terms of actual combat, but he contributes to the
worst thing that happens in the third act.
Indeed, the allure then is not just for the adversaries but also for the
hero’s closest friends. Apart from Sally
Fields’ indestructible Aunt May, Gwen Stacy is the only other hold-over from
the 2012 original. Webb and his writers
add a wrinkle that raises the romance above its usual peripheral subplot
status. Everything that Spider-Man does
has consequences for Gwen. Naturally, a
superhero spends his life negotiating an obstacle course, and the love interest
complicates matters. Spider-Man worries
about Gwen not so much because he loves her.
We’re reminded Spider-Man swore an oath to her gruff father, the late
Captain Stacy, that he would stay out of her life. Every time he turns around, Spider-Man sees
the specter of Captain Stacy frowning at him and this haunts him.
“The Amazing Spider-Man 2” opens about the same time as its
predecessor, with a juvenile Peter in his parents’ house. All we know from the original is that Richard
Parker (Campbell Scott of “Dying Young”) and his wife deposited Peter at the
house of his Uncle Ben and Aunt May. In
the sequel, we see what else happened after they left Peter and boarded a
private jet to Switzerland. This scene
reminded me of the opening scene aboard a plane in the James Bond movie “Moonraker.” Anyway, as far as we know, the Parkers
perished in a plane crash, but anything—you know—can happen in a cinematic superhero
franchise. The action resumes with
Spider-Man arriving in the nick of time to pick up his diploma at his high school
graduation after thwarting a fanatical Russian criminal, Aleksei Sytsevich
(Paul Giamatti of “Rock of Ages”), from stealing plutonium vials during a
runaway chase through Times Square. This
exhilarating demolition derby with Aleksei careening through downtown Manhatten
traffic in a tow-truck hauling an armored car gets everything on off on the
right foot. During this mayhem,
Spider-Man saves Max Dillon (Jamie Foxx of “Django Unchained”) from being
struck by Sytsevich. Afterward, we are
introduced to one of Peter’s closest friends, Harry Osborn (Dane DeHaan of “Lawless”),
who haven’t seen Peter for a decade. Comparatively,
DeHaan doesn’t eclipse James Franco from the Maguire trilogy. Oscorp executive Donald Menken (Colm Feore of
“Pearl Harbor”) ushers Harry to the bed of his dying father, Norman (Chris
Cooper of “Money Train”), who bears bad tidings to his son. Meantime, Max plunges accidentally into a
tank at Oscorp and is bitten by genetically adapted electric eels. Eventually, Max mutates into the electrifying
villain Electro who generates no end of problems for Spider-Man as well as the
city electric company.
Once again, Garfield outshines Maguire as the costume-clad champion,
even though it is obvious that Garfield, an Englishman in his thirties, doesn’t
look like an angst-afflicted teen. The
twentysomething Stone is as luminous as ever as Gwen, but she is too old to be
playing a teen, too. Nevertheless, this
sympathetic couple shares enough chemistry and radiates enough charisma that it
is easy for us to overlook their age disparity.
Meanwhile, you’ll have to suspend your disbelief because the
larger-than-life antics could never occur in the real world. Indeed, Electro qualifies as an unusual
villain, driven by revenge, who can materialize seemingly at will whenever and
wherever he wants like a wraith. The
showdown in Times Square with Spider-Man where Electro tries to electrocute
everybody crackles with thrills and chills.
Battling Electro alone would have been more than sufficient for “The
Amazing Spider-Man 2,” but Webb and his writers unleash the nefarious Green
Goblin while Gwen insists on helping Spider-Man despite the consequences. You could probably shove your finger into a
light socket and experience the same effect that this noisy, ambitious,
vertigo-inducing, sci-fi fantasy delivers with gusto. The OMG prosthetic make-up and visual effects
are nothing short of stunning. “The
Amazing Spider-Man 2” doesn’t know when to quit, and it leaves us breathless after
a supreme tragedy to soldier on with our webslinger hero poised to battle one
more adversary.
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