Beyond its worldwide haul of $560 million, the “Night at the
Museum” movies may not be remembered as the most thought-provoking family-friendly
film franchise, but they were neither monotonous nor obnoxious. The final installment “Night at the Museum:
Secret of the Tablet” (*** OUT OF ****) folds up the franchise neatly with fond
farewells to both the late Robin Williams and the even later Mickey Rooney,
while it doesn’t wear out its welcome with maudlin sentimentality. Shawn Levy, who directed both “Night at the
Museum” (2006) and “Night at the Museum: Battle for the Smithsonian” (2009), is
back at the helm, but scenarists Robert Ben Garant and Thomas Lennon didn’t pen
this entry. Nevertheless, this
featherweight, PG-rated, 97 minute, CGI-laden saga with slapstick galore maintains
sufficient momentum. Comparatively, “Night
at the Museum: Secret of the Tomb” isn’t as exciting as “Night at the Museum.” Ben Stiller is still resourceful as museum security
guard Larry Daly. Moreover, Stiller does
double duty and also plays a wacky Neanderthal caveman who believes Larry is
his pater familias. This constitutes one
of several running gags throughout “Secret of the Tomb.” While they appear briefly at the outset, Dick
Van Dyke, Mickey Rooney, and Bill Cobbs are given far less to do than they did
as the kleptomaniacal security guards in the above-average original. In his last film performance, Oscar-winner
Robin Williams co-stars again as Rough Riding President Theodore
Roosevelt. Enhancing continuity even
more, Owen Wilson and Steve Coogan are back respectively as pint-sized cowpoke Jedediah
and Roman centurion General Octavius.
These two tykes score some of the largest laughs, particularly when they
utilize an enormous contraption to post Internet messages. Ricky Gervais returns as persnickety museum director
Dr. McPhee; Patrick Gallagher as Attila the Hun; Rami Malek as Ahkmenrah; and Mizuo
Peck as Sacajawea. The only change is actor Skyler Gisondo has replaced Jake
Cherry as our hero’s teenage son Nick; Cherry played Nick in the two earlier
epics. Indeed, Larry and Jake’s deliberations
about the latter’s collegiate future could have been left on the cutting room
floor. Otherwise, little has changed
despite the passage of years. British
actress Rebel Wilson, making her debut as Larry’s counterpart, a nocturnal
British Museum security guard, adds ample spontaneity. “Downtown Abbey” star Dan Stevens fleshes out
the cast as Sir Lancelot, one of the British Museum exhibits who comes to life,
too.
“Dinner for Schmucks” scribes David Guion & Michael
Handelman and Levy freshen up the franchise the third time out with background
history surrounding the mysterious Tablet of Akmenrah. Remember, this gilded Egyptian antique is
what enabled the inanimate museum exhibits--whether they consisted of wax,
bone, or stone--to cavort about after dark as if they possessed life. “Secret of the Tomb” unfolds in sun-scorched Egypt
back in the year 1938 with an “Indiana Jones” prologue. A joint Anglo-American archeological expedition
is searching for a rare artifact, when Chief Archaeologist Robert Fredericks (Brennan
Elliott) shoos his meddling son, Cecil (Percy Hynes-White), off the site. Quite by accident, the unsuspecting Cecil stumbles
onto the mother lode when the ground collapses under him and he plunges into the
pharaoh’s burial chamber. Nothing really
hair-raising occurs, but this atmospheric incident sets the stage for all
subsequent hilarity. Naturally, the locals
are more anxious about the tablet’s discovery than the myopic archaeologists. Indeed, they warn these outsiders that nothing
good can come of this discovery. Eighty
years or thereabouts later, the sacred tablet that resembles a colossal keypad displays
signs of sea-green corrosion. This oxidization
takes a toll on the fixtures so they behave in a menacing manner. During an after-dinner gala fundraiser for
museum donors in New York City, pandemonium erupts when the exhibits run
rampant and frighten everybody. This
debacle deprives Dr. McPhee (Ricky Gervais of “Cemetery Junction”) of his job
as curator. Young Egyptian King
Ahkmenrah (Rami Malek of “Need for Speed”) suggests Larry (Ben Stiller) fly the
afflicted stone tablet back to the British Museum where his astute father, Pharaoh
Merenkahre (Ben Kingsley of “Exodus”), who is one of the exhibits, can clarify what
ails the artifact. Of course, the
incredulous Dr. McPhee believes none of the claptrap Larry feeds him. Nevertheless, he conspires to help our sincere
hero gain access to the facility without arousing suspicion. Evidently, sneaking into a London museum
after hours doesn’t constitute anything death-defying where British homeland
security is concerned. The last thing Larry
does before he flies off to handle these hi-jinks is quiz elderly Cecil (Dick
Van Dyke of “Mary Poppins”) about what transpired in Egypt. Eventually, Larry and his eccentric posse,
including Teddy Roosevelt (Robin Williams), Attila the Hun (Patrick Gallagher),
Native American princess Sacajawea (Mizuo Peck), Jedediah (Owen Wilson), Octavius
(Steve Coogan),Larry’s son Nick (Skyler Gisondo), a Neanderthal nitwit named Laa
(Ben Stiller), and the adorable capuchin monkey Dexter (Crystal the Monkey) bluff
their way past a loquacious security guard, Tilly (Rebel Wilson of “Fever Pitch”),
who has no clue about their intentions.
Once they enter the London Museum, our heroes find themselves up to
their necks in anarchy orchestrated principally by the conceited,
sword-wielding, legendary, Round-Table Knight, Sir Lancelot (Dan Stevens), who appropriates
the enchanted tablet for himself without realizing the ultimate jeopardy that
he threatens one and all into before dawn.
The computer-generated shenanigans of the strange London exhibits,
a rambunctious triceratops fossil, are every bit as comical and imaginative as
the Big Apple exhibits. The highlight of
the London mayhem occurs when Larry and Teddy pursue the elusive Lancelot
inside an M.C. Escher staircase painting. Predictably, Dexter makes the biggest splash
when he gives Jedediah and Octavius a golden shower to save them from the devastation
in the Pompeii exhibition. One of the
most surprising surprises occurs during Lancelot’s interruption of the stage play
“Camelot,” when he contends with actor Hugh Jackman. As entertaining as the third outing is, “Night
at the Museum: Secret of the Tomb” surpasses neither “Night at the Museum” nor “Night
at the Museum: Battle at the Smithsonian.”
No comments:
Post a Comment