Character actor Cameron Mitchell gave the performance of his career for
co-directors Roland Kibbee and Burt Lancaster in their complicated but
intriguing murder mystery "The Midnight Man," co-starring Susan Clark,
Morgan Woodward, Harris Yulin, Lawrence Dobkin, Robert Quarry, Ed
Lauter, and Catherine Bach. For the record, Kibbee and Lancaster had
collaborated before, principally with Kibbee penning screenplays for
Lancaster epics, such as "Ten Tall Men" (1951), "The Crimson Pirate"
(1952), "Vera Cruz" (1954), "The Devil's Disciple" (1959), and "Valdez
Is Coming" (1971). Together, Kibbee and Lancaster adapted David
Anthony's novel "The Midnight Lady and the Mourning Man." Considering
the abundance of talent involved in this melodrama, "The Midnight Man"
(*** OUT OF ****) should have been a superior whodunit. Indeed, everything about this
solidly scripted but formulaic murder mystery is done with efficiency.
Kibbee received an Emmy not only for a "Columbo" episode, but he also
won one for a "Barney Miller" episode. Kibbee's output ranks as
above-average. The chief problem with "The Midnight Man" is the
lackluster quality of their action. The events take place at a remote
college in South Carolina so nothing that happens can affect the fate
of West Civilization. Although the characters are as sturdy as the
gifted cast that incarnates them, Kibbee and Lancaster's movie seems
mundane despite its narrative strengths.
The characters in "The Midnight Man" comprise an interesting group.
Burt Lancaster plays Jim Slade; he is a former Chicago cop who served
three years in prison because he shot the man that he caught in bed
with his wife. This makes him a flawed character searching for
redemption. Slade's old friend Quartz (Cameron Mitchell of "Garden of
Evil") is a former policeman who heads up the security of a small
college, and he gives Slade a job as a night watchman. Susan Clark is
cast as Slade's parole officer Linda Thorpe. Ms. Thorpe constantly
clashes with County Sheriff Casey (Harris Yulin of "Scarface") over his
treatment of her parolees. Casey wears a white cowboy hat, and at times
"The Midnight Man" resembles an episode of "In the Heat of the Night."
The action unfolds when Slade learns that somebody broke into his
office of Psychology Professor Swanson (Quinn K. Redeker of "Ordinary
People") and stole three audio cassettes. These cassettes contain
monologues from troubled students who recorded them for Swanson so he
could listen to them at a later date and counsel them. Slade interviews
the three students. One of the three students, Natalie (Catherine Bach
of "Thunderbolt & Lightfoot"), dies under mysterious circumstances, and
Slade sets out to expose the murderer. Sheriff Casey arrests the most
obvious candidate, Ewing (Charles Tyner of "The Longest Yard"), a
fire-and-brimstone religious fanatic who has evidence that implicates
him in the slaying. Naturally, our hero doesn't believe that the
unsavory Ewing could have committed the crime. While Casey is
constantly at his throat, Quartz and Slade's parole officer do their
best to shield him from the county sheriff.
Unraveling the narrative threads of "The Midnight Man" to disclose the
identities of the villains would constitute a crime. Slade encounters a
number of likely suspects as he searches for the villain that killed
Natalie. Meantime, he collides with three grimy, redneck dastards that
do their best to kill him. The scene in the barn is terrific,
especially when Slade commandeers a tractor to smash through walls and
run over his adversaries. The revelations that our hero uncovers
distinguishes this movie and virtually everybody is implicated in one
way or another. Slade's chief opponent Sheriff Casey winds up being his
strongest ally, and Harris Yulin gives a good account of himself.
Lancaster was on his last legs as a leading man when he made "The
Midnight Man," but he gives another of his ultra-efficient
performances, and this movie is a polished affair despite its largely
ordinary setting and revelations.
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