FILM REVIEW OF ''KIN" (2018)

Two heads are better than one, so the old adage goes.  Sadly, this doesn’t apply either to the Baker brothers or their directorial debut, “Kin” (1/2 OUT OF ****), that juggles a sci-fi thriller about a lost space gun, a dysfunctional family crisis with a juvenile-in-jeopardy, a cross-country chase, and a revenge melodrama.  Basically, Australian brothers Jonathan and Josh Baker developed “Kin” from their own fifteen-minute short “Bag Man” (2014).  In “Bag Man,” an African-American youngster stashes an exotic space carbine under his bed at home without informing his stern single mom.  Sneaking it out in a duffel bag for target practice, he winds up in a remote clearing, but rescues a man with a bag over his head from three murderous ruffians.  They were armed and abusive to the bag man and had bound his wrists behind his back.  At one point, one of the three wields a shovel and knocks the bag man off his knees onto his head.  The black kid disrupts their orgy of violence, and the shooting commences.  The bizarre alien weapon dissolves the three assailants into atoms when the kid lets them have it!  Lean, mean, and electrifying, “Bag Man” doesn’t squander a second.  Indeed, the Bakers left a lot to the imagination, but most people could probably fill in the gaps.  Not only did I enjoy “Bag Man” (*** OUT OF ****), but I could watch it again.  

Unfortunately, this doesn’t apply to “Kin.”  First, the Baker brothers bite off more than they can chew. Scenarist Daniel Casey of “The Passage” has helped to expand the plot far beyond “Bag Man” with too many stock characters.  Second, the only character who deserves our sympathy is gunned down too early.  Third, the rest of the characters—except for the African-American teen who salvaged the weapon—are worthless specimens of humanity with little dimension.  Fourth, the filmmakers could have told us a little about this otherworldly firearm and its apparently infinite ammo capacity.  We never learn if it contains a battery that keeps it charged up and ready to blast.  Fifth, the mysterious weapon that the youth found isn’t deployed until halfway through the road trip.  Furthermore, our juvenile protagonist doesn’t have a chance to display its heavy-duty firepower until an explosive finale in a besieged Nevada police station.

“Kin” opens in modern-day Detroit, where a strange firefight occurs in a derelict factory building.  As noisy as it sounds, this activity doesn’t attract the attention of the police.  Later, a 14-year old African-American, Eli Solinski (Myles Truitt of “Dragged Across Concrete”), who rides his bike around to these forsaken edifices, scours them for anything of value.  Although he is black, Eli is the adopted son of a hard-working contractor, Hal Solinski (Dennis Quaid of “The Long Riders”), but the Solinskis have fallen on hard times.  Hal’s wife has died, and his oldest biological son, Jimmy (Jack Reynor of “Free Fire”), has just been released from prison after a six-year sentence.  Hal and Jimmy don’t get along, but Hal is letting Jimmy sack out at the house until he can land a job.  When Jimmy asks his father for a job, but Hal refuses to hire him because he is an ex-con.  Jimmy looks up an old friend, Taylor Balik (James Franco of “Future World”), who deals in contraband firearms, and reassures him, he hasn’t forgotten about the $60-thousand that he owes him.  Taylor demands his dough pronto, and he lacks patience.  Jimmy approaches Hal about a loan, but Hal rules it out, too.  One evening, when Hal returns to his office with Eli riding with him, he confronts Jimmy, Taylor, and Taylor’s brother.  They have broken into his office and are ransacking his safe.  Hal brandishes a crowbar, and a deadly fight ensues.  Hal dies from a gunshot wound, but Taylor’s brother bites the dust, too.  Managing to escape, Jimmy flees in Hal’s truck with Eli.  Repeatedly, Jimmy concocts one lie after another to dupe Eli into believing that Hal has dispatched them off on a cross-country trip to Lake Tahoe where they will all reunite.  Eli packs a few things, including the duffel bag with the futuristic weapon.

Earlier, while combing through a deserted factory building, Eli discovers two space soldiers in a sinister black outfits.  One of them had lost his head during the firefight.  Eli handles a strange-looking weapon that resembles a high-tech military assault rifle.  When he is toying with the weapon, he activates it, and a laser sighting system illuminates the weapon with several gauges and numbers.  Eli says nothing about his discovery.  Later, Hal learns about Eli’s behavior troubles and school suspension.  Later, he chews him out for stealing things from deserted buildings.  All of this leads up to Hal taking Eli along with him to his office where he discovers Jimmy and Taylor ransacking the company safe.  Meanwhile, a vindictive, grief-stricken Taylor loads up an arsenal of firepower along with his homicidal henchmen, and they pursue Jimmy and Eli.  Later, two space soldiers materialize out of nowhere in the building where the gun was lost.  They activate a locator device to track the weapon.  Essentially, it’s road trip time, and everybody is lined-up in hot pursuit of our heroes.

Whereas “Bag Man” delivers simple and straightforward action, “Kin” struggles with too many characters and too many clichés.  The Bakers provide little background about the aliens, who appeared after the loss of the weapon and then reappeared for the lively finale.  The last-minute revelation not only about the weapon, but also Eli’s identity seems like a last-minute addition to generate a sequel.  During the final scene, when the aliens expose their humanoid faces, actor & producer Michael B. Jordan of “Black Panther” fame makes a cameo appearance as one.  Ultimately, “Kin” amounts to little more than a remake of the cheapjack 1978 sci-fi thriller “Laserblast” about a youth on a rampage with an alien weapon.

FILM REVIEW OF "GUTSHOT STRAIGHT" (2014)

"CSI" regular George Eads plays a snake-bitten Las Vegas gambler with a knack for getting himself knee-deep in trouble in "Gutshot Straight" (* OUT OF ****) named Jack. Eads makes a convincing but hopeless nobody, and he looks nothing like the sympathetic crime scene investigator that he portrays on the CBS-TV television series. Instead, he portrays the kind of character who you'd neither want to meet nor hang out with because he is a loser. Happily, "Death and Cremation" director Justin Steele surrounds him with a veteran cast of familiar tough-guys, including Stephen Lang, Vinnie Jones, Steven Seagal, and Ted Levine, that give the action a modicum of substance. Steele imbues this brooding 85-minute melodrama about a charismatic loser with a creepy, mysterious film noir flavor.

Down and out, owing just about everybody in Sin City, Jack (George Eads) runs into an older guy, Duffy (Stephen Lang of “Avatar”), at a strip club who makes him an appetitizing proposition: "How'd you like to make some dollars, enough dollars to keep you at the adult table for a long, long time." Naturally, our misbegotten protagonist could use plenty of dough. Taking Jack home to his palatial residence, Duffy tries to persuade him to make love with his wife, May (AnnaLynne McCord of "The Transporter 2"), but the scrupulous Jack displays considerable reluctance. Apparently, Jack doesn't like being told what to do. A brief physical struggle ensues between Jack and Duffy while May watches from the pool. During the fracas, Jack shoves Duffy, and Duffy's head strikes an object and the impact kills him. Jack didn't plan to murder Duffy, and he is pretty upset at the accidental turn of events. May and he stuff Duffy's corpse into the trunk of a Maserati, and Jack wanders off the next day in the brutal heat of Vegas to sleep it off in his Volvo that he cannot get to crank up. Jack is such a woebegone guy with so many problems that it is easy to see why an actor would love to fill in the gaps and play him. Ultimately, he isn't the kind of character that an audience wants to commune with for the length of any movie.

Later, Jack encounters Duffy's scummy brother Lewis (Ted Levine of "Silence of the Lambs") who is a notorious loan shark. Lewis proudly shows Jack his prized possession—the car that May used secretly to dispose of Duffy's body—and we learn that Lewis is an obnoxious jerk, too. Interestingly, Lewis thinks that Duffy has gone away on a trip. A suspicious Jack leaves Lewis after Lewis mentions his name; Jack never told Lewis his name so he doesn't trust him. On his way out, Jack runs into May. She confides in Jack that she buried Duffy's body in the desert. Eventually, Lewis shows Jack a tablet that contains a video of Jack at Lewis' house. This is how Lewis knew Jack's name. Anyhow, Lewis knows everything about Jack, his mountain of gambling debt, and his estranged wife and daughter. Surprisingly, Lewis isn't put out that Jack had something to do with his brother's death. He wants him now to kill May, and he is prepared to use blackmail to get him to do it. May shows up at Jack's sleazy motel, and Jack assures her that he will take care of Lewis. We learn that Duffy was a terrible husband who basically kept May in a metaphorical cage and watched her constantly when he wasn't out drinking and whoring. Jack arranges a visit with Paulie (Steven Seagal of "Exit Wounds") through another disreputable man that he owes money, Carl (Vinnie Jones of "Snatch"), and Paulie agrees to help him. He hands Jack a revolver that fires backwards and tells him to give it to Lewis. Jack and Lewis tangle in a gritty fistfight while treacherous May observes the brawl. May gets the drop on Jack, and she tries to kill him. Naturally, the revovler backfires and blows her away. Afterward, Paulie kills Lewis, and they warn Jack to clear out of town.

Gutshot Straight" occurs primarily in Las Vegas casinos and at an exotic house with a swimming pool and flaming torches. As mesmerizing as the action is, nothing really happens in this pedestrian 85-minute melodrama stocked with despicable characters. Jack finds himself in trouble for a murder that he didn't mean to commit, and he flees to his friends that he owes money and gets them to polish off the villain. The action comes full circle. Although it contains polished production values, "Gutshot Straight" essentially qualifies as a potboiler. Stephen Lang and Ted Levine spend more time on screen than either Steven Seagal or Vinnie Jones. Seagal fans won't like it that the paunchy Seagal has what amounts to a cameo. The DVD commentary is interesting and contains insights into the production. This is a one-time watch it only movie.

FILM REVIEW OF ''THE HANGOVER'' (2009)

“Old School” director Todd Phillips finds himself in fine form once again with a farcically funny, guys-gone-crazy, hootenanny “The Hangover” (**** out of ****), the flip side of the darker 1998 Christian Slater facsimile “Very Bad Things.” Starring Bradley Cooper, Zach Galifianakis, Ed Helms, Justin Bartha, and Heather Graham, this side-splitting Sin City ‘lost weekend’ gives new meaning to the old adage “what happens in Vegas, stays in Vegas.’ A riotous, rip-snorting, R-rated, road-trip comedy from fade-in to fade-out, this opus about three groomsmen and a bachelor sowing wild oats takes many unexpected twists and turns throughout its hysterical 99 minutes to keep you laughing long after the end credits. “Four Christmases” scribes Jon Lucas and Scott Moore, who also penned “Ghosts of Girlfriends Past,” have concocted a fresh, funny, and far-out misadventure that consistently delivers laughs based on the comic formula of incongruity. Our sympathetic heroes spend the entire time behind the eight ball dealing with one trial and tribulation after another so outlandish that you cannot help by howl at each new revelation.

Doug Billings (Justin Bartha of the “National Treasure” movies) is due to wed his wealthy fiancée Tracy Garner (Sasha Barrese of “Legally Blonde”) in two days. Before he gets hitched, Doug’s two best buddies—school teacher Phil Wenneck (Bradley Cooper of “He’s Just Not That Into You”) and dentist Stu Price (Ed Helms of “Semi-Pro”)—along with Tracy’s weird brother Alan Garner (Zach Galifianakis of TV’s “Tru Calling”) take him to Vegas for a last-minute blow-out. Tracy’s father Sid (Jeffrey Tambor 0f “Hellboy 2: The Golden Army”) hands Doug the keys to his classic Mercedes convertible and entrusts its care to him. Sid admonishes Doug not to let Alan get behind the wheel, and Doug and his cronies hit the road for Caesar’s Palace. No sooner do they arrive than they alter their plans. First, they check themselves into an expensive $4, 200 a night villa. Second, they ascend to the roof to toast Doug’s future with shots of Jagermeister. Third, cretinous Alan laces their liquor with Rohypnol or roofies, a date-rape drug that he mistakenly believes is Ecstasy so they can really enjoy themselves.

Phil, Stu, and Alan awaken the next day to a trashed villa. Alan waddles off to take a whiz and discovers that a real-live tiger—stripes, claws, and all—is lounging in their bathroom. Our heroes regroup and deduce that they have spent the wildest weekend of their lives. Phil wears a medical bracelet from his night in the emergency room where doctors treated him for a concussion. Not only has Stu lost one of his front teeth, but he has also lost his mother’s Holocaust ring that he planned to give to his girlfriend Melissa (Rachael Harris of “The Soloist”), when he proposes marriage to her. Incidentally, Melissa believes the boys are enjoying a wine tasting weekend in the woods rather than a bachelor party in Vegas. Nothing really awful happens to Alan because he qualifies as his own worst enemy. Alan discovers, however, that they have an infant in their closet. When the guys descend to the parking lot for their Mercedes, they are surprised when the valets whip a Las Vegas police cruiser up to the entrance for them.

Principally, our heroes remember nothing from the previous eight hours thanks to the roofies. Worse, they find neither hide nor hair of Doug. Indeed, Doug has vanished. Phil, Stu, and Alan set out to retrace their evening’s revelry in an effort to recover Doug. Stu learns he has married a stripper, Jade (Heather Graham of “Say It Isn’t So”), who is wearing his mother’s Holocaust ring, while a couple of Asian thugs want to pound them into the pavement for stealing $80-thousand from their whiny boss, Mr. Chow (Ken Jeong of “Role Models”), who has lost is dough as well as his duds.

Todd Phillips relates most of this madcap merriment in flashback. No stranger to comedy, Phillips also helmed “School for Scoundrels’ and “Road Trip,” and he keeps the humor in high gear. One of the funniest scenes finds our hapless heroes making a deal with the Las Vegas Police to drop their grand theft auto charges if they participate in a tazer demonstration. The LVPD let elementary school aged children tazer them. Eventually, our heroes find Doug but they also have to tangle with Mike Tyson as well as Doug’s testy fiancée. Tracy demands unequivocally that they haul themselves back to L.A. for the wedding. Predictably, our heroes damage Sid’s priceless Mercedes and snap scores of incriminating photos of themselves at play. Unlike “Very Bad Things,” “The Hangover” will keep you doubled up in hysterics!