FILM REVIEW OF ''OPERATION: DUNKIRK" (2017)

Apart from some vintage, black & white, newsreel footage of the historic British retreat from France in 1940, director Nick Lyon’s “Operation Dunkirk” (** OUT OF ****) has nothing to do with that landmark event aside from the setting. “Operation Dunkirk” reminded me of an earlier World War II epic, director Walter Grauman’s “The Last Escape” (1971) starring Stuart Whitman. These two Second War World sagas chronicled the Allied rescue of important German scientists.  Whitman reached his scientist before the Russians. Similarly, a squad of British soldiers under Lieutenant Galloway (Ifan Meredith of “Metroland”) are ordered to find a German scientist (newcomer Eddie Curry) whose expertise in algorithms may significantly enhance radar technology.  Historically, radar saved England from the Luftwaffe during the Battle of Britain in 1940.  This critical technology enabled the English to detect German warplanes when they entered Allied airspace and alert Sir Hugh Dowding’s Fighter Command about them.  Furthermore, radar meant that the heavily outnumbered RAF would not have to maintain constant full-scale aerial surveillance.  This meant their pilots could grab some much-needed sack time between dogfights.  Consequently, the premise that a German scientist would possess valuable technological information about radar which would aid the British seems unlikely.  Meantime, this stubborn scientist has refused adamantly to share his algorithms with Hitler.  Now, historical accuracy doesn’t always make a movie more entertaining.  Consequently, Hollywood often plays fast and loose with the facts to heighten dramatic impact.

Anyway, back to the plot.  When one of several, hand-picked commandos asks Colonel Plummer (Gerard Pauwels of “Resurrection”) about their evacuation, Plummer barks, “Pull your balls out of your throat and be a soldier.” Later, Galloway and his five men cruise off in a jeep to a rendezvous with the French Resistance.  Armed with American .50 caliber Thompson submachine guns, they leave the jeep and cross a cornfield.  They don’t behave like battlefield veterans because they walk too closely together without a scout either at point or on drag.  When they arrive at a huge lumber storage facility, a member of the French Resistance challenges them.  By this time, the villainous Nazi officer, Strasser (Michael Wouters of “Sins of the Guilty”) has shot the unfortunate scientist to death. Galloway reacts with incredulity when the Resistance explains that they have a woman, Angelique (Kimberley Hews of “The Other Wife”), for him to escort back to headquarters. Not only is Angelique the late scientist’s daughter, but also she has memorized the algorithm.  Not long after the British show up at the lumber yard, the Germans arrive.  The fact the villains are hot on the heels of our heroes and stay one step behind them is a positive point in favor of Lyon and his writers.  Later, the same French Resistance member who challenged Galloway is captured, questioned, and then shot in the back by the Nazis.  Meantime, Galloway refuses to turn Angelique over to the Germans. A firefight erupts.  The Germans refuse to take cover.  Instead, they stand in the open and blaze away at the British hidden in a brick building.  The arrogant Strasser stands with his men as if he were bulletproof.  The Germans riddle the building with a hail of gunfire, and then they discover to their chagrin that the British and Angelique have fled.  All of this occurs during the first 30 minutes of this 95-minute epic. Happily, Lyon keeps the action moving forward at a steady pace.  Ultimately, he brings the action right down to the wire with a last-minute appearance of the Royal Air Force as the air force routes the Germans.

“Operation Dunkirk” doesn’t rank as your average Asylum quickie, knock-off.  “Rise of the Zombies” director Lyon takes and scenarists Geoff Mead of “I Am Omega,” and Stephen Meier of “Re-Generator” take themselves somewhat seriously.  Unlike most straight-to-video Asylum outings, the action is depicted in a largely straightforward manner, with the unsavory Strasser relentlessly pursuing the British.  Mind you, this is the same Nazi officer who not only derived sadistic glee in torturing, but also in murdering the scientist.  Strasser enjoys burning the hand of Resistance member with a clothes iron and then impales it with a screwdriver so he can induce the Frenchman to squeal.  At the same time, “Operation: Dunkirk” is a compilation of World War II clichés. First, Galloway and company must endure their commanding officer’s standard-issue speech: “This mission could not only save lives but win the war.”  Second, a seriously wounded British soldier insists on being left behind by his fellow soldiers.  When two Germans stumble onto him, he brandishes a hand grenade and blows them to smithereens.  Third, another British soldier steps on a cleverly hidden German booby trap by a tree.  Actually, these two scenes demonstrate Lyon’s dramatic strength as a director.  He generates suspense and tension in both instances.  My quibble with the hand grenade scene is that the soldier doesn’t know when to shut up.  The ironic thing about the booby trap scene is that the British commander saves his soldier’s life, but a shattered tree branch skewers his thigh like shrapnel and lodges perilously close to his femoral artery.  Meantime, it is interesting to note that Lyon provides subtitles so the nasty German officer can speak in German.  Since I am not fluent in German, I cannot comment on the accuracy of both the translation or the German language.  The appearance of Sherman tanks is a plus.  Blood is spilled in most of the combat scenes, too.

Clearly, Asylum produced “Operation: Dunkirk” to cash in on writer & director Christopher Nolan’s forthcoming “Dunkirk.” Typically, Asylum cranks out knock-off movies that exploit bigger studio releases.  Although “Operation: Dunkirk” is routine and often unrealistic, director Nick Lyon’s World War II thriller amounts to a better-than-average Asylum release.

FILM REVIEW OF ''THE BRIDGE ON THE RIVER KWAI" (1957)

"Great Expectations" director David Lean made what qualifies as the greatest World War II movie of all-time. I saw this fantastic film when Columbia Pictures released it in 1957, and the spectacle of an actual bridge being blown to smithereens with a real locomotive and freight cars trundling along the railway tracks on it captivated me at the tender age of four, and I have never forgotten it. I've seen "The Bridge on the River Kwai" (**** OUT OF ****) more times than I can remember, and this movie has never lost its allure. Basically, "The Bridge on the River Kwai" is a World War II action thriller set in Burma during the spring of 1943 featuring a predominantly all male cast with women in supporting roles as British nurses and Siamese cargo bearers. This Sam Speigel production received seven Oscars from the Academy of Arts and Science during their annual 1958 ceremony. The film won Best Picture, Best Director (for David Lean, Best Actor (for Alec Guinness), Best Cinematography (for Jack Hildyard), Best Editing (for Peter Taylor), and Best Music (for Malcolm Arnold). The film also received the nomination for Best Actor in a Supporting Role (for Sessue Hayakawa). Additionally, "The Bridge on the River Kwai" also won Golden Globes for Best Picture, Best Director, and Best Actor.

This stirring epic is based on Pierre Boulle's award-winning 1952 novel, but director David Lean and scenarists Michael Wilson of "A Place in the Sun" and Carl Foreman of "High Noon" took several liberties with the storyline. First, Boulle didn't obliterate the bridge.  The British commandos were able to derail the train, but the bridge remained intact.  Second, Colonel Nicholson discovered the sabotage, but he didn’t collapse on the plunger and blow-up the bridge. Third, no Americans, specifically the character of Shears, appeared in the novel. Fourth, although there was a Shears, he was a British commando, but he tried to cross the river during the finale to kill Nicholson. Fifth, the British said that they had to send in commandos because the RAF couldn’t fly the distance to bomb the bridge.  In Boulle’s novel, the British don’t send in bombers because they felt the Japanese could repair any damage from bombing raids and have the bridge back in action. Nevertheless, this memorable film brims with irony and answers all the questions about life. This movie also immortalized the whistling march theme "Colonel Bogey March." Interestingly, former British POWs hated the movie and wanted to lambaste it, but they kept their silence for fear that their protests would provide more publicity for a movie that they felt deserved nothing in the way of publicity.  This is a beautiful movie and the cast is stupendous. Although Alec Guinness won the Oscar for Best Actor, I believe that the incomparable William Holden as the only American prisoner of war steals the movie hands down. Holden made a specialty of playing anti-heroic roles.  As Shears, he is at his anti-heroic best. Sessue Hayakawa makes a terrific adversary. By and large, the Japanese are treated with respect despite their status as the enemy in this World War II outing.

Essentially, David Lean's masterpiece concerns a clash of wills in the middle of the jungle during World War II. Colonel Nicholson (Alec Guinness of "Star Wars") and his British officers and enlisted men survive a grueling march through the jungle to a Japanese labor camp where camp commandant Colonel Saito (Sessue Hayakawa of "The Swiss Family Robinson") orders them to erect a bridge across the River Kwai. Saito stipulates in no uncertain terms that British officers will work alongside their men, but Lieutenant Colonel Nicholson refuses to abide by these terms.  He cites the rules of the Geneva Convention.  Saito’s reacts with incredulity, “Do not speak to me of rules. This is war! This is not a game of “cricket!” Saito puts Nicholson in a sweat box and the intense heat very nearly kills Nicholson. Nonetheless, Nicholson refuses to give in to Saito's demands. Meanwhile, construction work on the bridge commences, but the Japanese make virtually no headway. At the same time, Shears engineers an escape from the camp along with two other British soldiers and nearly dies in the process. Initially, everybody believes that Shears drowned in the river. The two British soldiers that accompany him die in the attempt. Natives find the destitute Shears washed up on the shores of their villages. He is deliriously and emaciated. He is in such bad shape that he mistakes a kite for a vulture. The villagers nurse Shears back to life, provide him with fresh supplies, and send him on his way in a boat. Eventually, he reaches British lines. Back at the Kwai camp, a desperate Saito loses the battle of wills with the obstinate Nicholson and agrees that the British officers do not have to work. Interestingly, Saito and Nicholson both believe that they are "mad."

Ironically, Nicholson decides to embrace the bridge construction so as to occupy his men and prove to the Japanese that the British soldier is the best soldier in the world. When Nicholson's chief medical officer, Major Clipton (James Donald of "The Great Escape") suggests that helping the Japanese erect a bridge could qualify as treason, Nicholson reminds him that they were ordered to surrender to the enemy. Nicholson goes on to say, “If you had to operate on Saito, would you do your job or would you let him die?Would you have it be said that our chaps can't do a better job? You're a fine doctor, Clipton, but you've a lot to learn about the army.” Nicholson and his officers devise a way of building a suitable bridge and one of Nicholson's engineers tells him that a similar bridge built of wood survived 300 years. Nicholson becomes so obsessed with the project that he eventually has his own officer pitch in and finish it.

The British dispatch a team of commandos led by Major Warden (Jack Hawkins of "Shalako") to destroy the bridge. A former university profess, Warden is an expert with plastic explosives.  Warden convinces a reluctant Shears to lead them to it since Shears knows the way. Shears explains that he cannot because he isn’t really an officer. It seems that when his ship the Houston sank, he swam ashore with an officer.  Eventually, after his superior died, Shears appropriated the officer’s insignia and impersonated him, erroneously believing he would receive better treatment than an enlisted man. Such was not the case. Warden informs him that they knew about his masquerade.  He also gives Shears the simulated rank of major for the mission. Reluctantly, Shears agrees to lead Force 316 through the jungle to the bridge. The four members of Force 316 bail out over enemy territory but Sergeant Chapman dies when his parachute drifts in the trees and kills him. Ironically again, our heroes must take an entirely different route because the route that Shears took is swarming now with Japanese. Since the village cannot furnish them with male cargo bears, they recruit women to lug the explosives and other supplies across some of the most treacherous landscape imaginable.  Our heroes have to make a forced march through swamps teeming with leeches, across rugged mountains, before they eventually they reach the bridge. Along the way, during a rest break at a scenic waterfall, Japanese troops surprise our heroes, and a Warden and his men have to track them down and kill them. During the fracas, Warden is wounded in the foot when Lieutenant Joyce (Geoffrey Horne of "The Implacable Three") cannot muster the nerve to stab the soldier.  All along the British High Command worried that Joyce didn't have what it takes to kill a man.  Joyce recovers his nerve during the spellbinding finale and kills Colonel Saito.

Altogether, "The Bridge on the River Kwai" simply ranks as the greatest movie ever made.