FILM REVIEW OF ''TUMBLEWEED" (1953)

Audie Murphy finds himself in desperate trouble in “Land Raiders” director Nathan Juran’s exciting western “Tumbleweed” (*** OUT OF ****) when he tangles with hostile Yaqui Indians and treacherous whites.  What sets this Murphy horse opera apart is “Red Mountain” scenarist John Meredyth Lucas’ audacious screenplay based on Kenneth Perkins’ novel "Three Were Renegades."  Murphy gets himself mired deeper into danger to clear himself as this adventurous 79-minute oater winds down to its finale.  Initially, our resourceful hero displays benevolence when he comes to the aid of a wounded Yaqui brave in the desert.  Apparently, an unknown white gunman shot the Yaqui in the left shoulder and left him for dead.  Jim Harvey (Audie Murphy of “The Kid from Texas”) digs a bullet out of Tigre (Eugene Iglesias of “Apache Rifles”), the son of Yaqui chieftain Aguila (Ralph Moody of “Reprisal!”) who abhors whites with a passion.  At one point, a hateful Tigre tries to stab Harvey, but our hero manages to deflect this futile effort.  After saving Tigre’s life, our hero accepts a job as a guide for a group of pioneers.  At first, when he meets Harvey in the town of Mile High, wagon train master Seth Blanden (Ross Elliot of “Never So Few”) thinks Harvey is too young to provide them with adequate guidance.  Attractive Laura Saunders (Lori Nelson) is the sister-in-law traveling with relatives.  She likes the sight of Harvey, but Seth’s wife Sarah (Madge Meredith of “Trail Street”) disapproves of a drifter like Harvey.  Sarah wanted Laura to marry Seth’s brother Lam (Russell Johnson of “Gilligan’s Island”) because he is a stable individual. Harvey does a good job as a guide until the Yaquis box them in and try to burn their wagons.  Harvey sends the two women into hiding, and then he rides under a white flag of truce to parley with Aguila.  As it turns out, Aguila doesn’t believe that his son would befriend a white man.  The Yaqui chief ties Jim down between two spears and promises to carve his eyelids so he can watch the sun burn out his vision at dawn.  Tigre’s mother (Belle Mitchell of “Soylent Green”) lets Jim escape.  Afterward, Jim catches a ride back into the town of Borax.  He discovers that he is a persona non grata because the Yaquis scalped and killed the men, but the two women and a baby in the wagon train survived.

Ironically, Sheriff Murchoree (Chill Wills of “Pat Garrett & Billy the Kid”) keeps the townspeople from lynching Harvey when he shows up in town and generates controversy with his unaccounted for presence.  The citizens have a noose around Harvey’s neck and they have Murchoree crowded, so he cannot get to Harvey until one of his deputies, Marv (Lee Van Cleef of “The Good, the Bad, and the Ugly”), armed with a Winchester intervenes, and Murchoree can extract his six-gun from his shoulder holster.  Murchoree puts Harvey into protective custody.  Later, during the night, Tigre breaks into the jail where Harvey is being held, stabs the guard that Murchoree left in charge, and the Yaqui explains that the guards were going to let the townspeople into lynch him.  Not long afterward, they are pursued by the townspeople and Tigre takes a bullet and dies.  Before the Yaqui dies, he informs Harvey that a white man had a hand into the massacre.  Eventually, a posse pursues Harvey.  Meantime, he finds himself afoot again when his horse goes lame.  Initially, he tries to steal a horse from a rancher, Nick Buckley (Roy Roberts of “Kid Galahad”), but Buckley’s ranch hand catches him before he can.  Harvey meets Buckley and his wife Louella (K.T. Stevens of “Vice Squad”) and explains his awful predicament.  Buckley takes sympathy on him and loads him calls the decrepit looking horse called ‘Tumbleweed.’ An incredulous Harvey is surprised when the animal displays amazing mountain sense and enables him to elude the posse.  At one point, when Harvey is about to die of thirst, ‘Tumbleweed’ scrapes a hole into the dirt that yields water.  Murchoree catches up with Harvey, but he is dying from thirst, too, when our hero finds him.  Strangely enough, Harvey wants to find Aguila because he is the only man who can clear him.  The revelation as to the identity of the white man who worked with the Indians is a surprise.  Our hero and the villain battle it out with their fists and the fight progresses from the desert floor up atop a mountain where the villain tries to crush Harvey with a rock.  

Lee Van Cleef has a bigger than usual role and he isn’t a slimy villain like he was during his usual 1950s westerns.  “Tumbleweed” qualifies not only as an above-average Audie Murphy oater but a welcome departure from his more straightforward routine sagebrushers.

 

FILM REVIEW OF ''THE HALLELUJAH TRAIL" (1965)

In his well-researched landmark biography of John Sturges, film critic Glenn Lovall points out the failure of “The Hallelujah Trail” at the box office forced John Sturges back into being a contract director. Unfortunately, this ambitious, $ 7 million dollar, two-hour and forty-five minute western extravaganza did prove to be Sturges’ undoing.  Sadly, according to Wikipedia, this United Artists’ release generated only $4 million during its initial release. Nevertheless, I’ve always thought it was an incredibly hilarious and splendidly staged western comedy.  The closest that Sturges had come to making a comedy was the Frank Sinatra & Dean Martin western “Sergeants Three,” but “The Hallelujah Trail” (*** OUT OF ****) was far from anything that “The Magnificent Seven” helmer had ever undertaken.  Sturges assembled a first-rate cast.  Burt Lancaster, who starred in Sturges’ first big western “Gunfight at the O.K. Corral,” took top billing as Colonel Thaddeus Gearhart.  Gearhart was a traditional, straight-laced U.S. Calvary commander who is in charge of a frontier fort who has a beautiful daughter, Louise Gearhart (Pamela Tiffin of “One, Two, Three”), who is hopelessly in love with an officer, Captain Paul Slater (Jim Hutton of “Major Dundee”), who serves under Gearhart at the fort.  At one point, Gearhart finds Slater and his daughter rolling around on his bear skin rug.  The hugely funny western takes advantage of the usual elements of most standard-issue oaters.  There is the inevitable clash between the U.S. Calvary and the Native Americans.  Similarly, the alcoholic frontiersmen ruffle the feathers of the Ladies of the Temperance Movement.  This sprawling, ‘battle of the sexes’ western brings together all these parties for an incredible finale in a swamp.

John Gay’s complicated screenplay based on William Gulick’s entertaining western novel concerns the efforts of desperate Denver merchants inspired by 'Oracle' Jones (Donald Pleasence of “The Great Escape”) to get a wagon train of liquor to them before they exhaust their supplies for the winter.  Signs indicate that the winter will be the worst in years, and the merchants refuse to run out of suds.  Moreover, a citizens’ committee shares the merchant’s anxiety.  Meantime, beer merchant Frank Wallingham (Brian Keith of “The Wind and the Lion”) organizes an emergency shipment of booze to Denver. However, he must contend with some obnoxious Irish teamsters, led by Kevin O'Flaherty (Tom Stern of “Clay Pigeon”), who feel he is exploiting them.  O'Flaherty constantly addresses Wallingham as “your lordship,” and Wallingham grumbles about it the entire time.  Of course, when the Indians learn about this huge shipment of liquor, they decide to help themselves to it.  Walllingham demands that Gearhart provide an escort to safeguard his booze from Chief Walks-Stooped-Over (Martin Landau of “Impossible Impossible”) as well as Chief Five Barrels (Robert J. Wilke of “The Magnificent Seven”) and they bring along their respective tribes.  If contending with Indians armed with Winchester repeating rifles weren’t enough of a challenge, Wallingham faces opposition from a well-known Temperance champion, Miss Cora Templeton Massingale (Lee Remick of “The Omen”), who just happens to be holding meetings at Gearhart’s fort.  Massingale decides to intercept the shipment of suds and destroy the cargo, and Gearhart’s daughter joins her. Naturally, an upset Colonel Gearhart decides Sergeant Buell (John Anderson of “The Satan Bug”) and he must provide an escort for these dames to keep them out of harm’s way.

Lancaster is absolutely brilliant as the square-jawed, Calvary colonel who must supervise everything in this massive sagebrusher. His comic timing is impeccable.  The scenes he has with Lee Remick will keep you in stitches as she manipulates him skillfully throughout the narrative. The contempt these two characters have for each other inevitably brings them together in the long run. The dialogue is crisp and smirk inducing, especially when Gearhart reprimands his top sergeant to his lack of Army strategy.  Sturges doesn’t slight anybody, and he gives some rather unusual parts to actors who had never done anything like these roles. Martin Landau is terrifically amusing as Chief Who Walks Stooped Over, and British actor Donald Pleasence, who eventually played villain in “Will Penny,” is cast as a barfly.  Crowning all these wonderful performances is Elmer Bernstein’s impressive orchestral score and “Satan Bug” lenser Robert Surtee’s radiant widescreen photography. In addition to “The Hallelujah Trail,” Surtees photographed not only “Escape from Fort Bravo,” but also “The Law and Jake Wade” for Sturges.  If you enjoy happily-ever-after comedies where the performers behave as if they were is a serious dramatic saga, “The Hallelujah Trail” qualifies as ideal entertainment.